➾ A History of Opera Download ➹ Author Carolyn Abbate – 1sm.info

A History of Opera Very pleasurable reading about a fascinating subject Accessible enough for the layman as well as stimulating for the seasoned scholar A beautiful ode to one of the greatest achievements of Western civilization Bravissimo I should probably put this on the abandoned shelf, as I barely made it 2 3s through and it took 12 months to get that far , but I ve spent enough time on it that I feel I can make enough of a judgement.This is, unfortunately, a bit of a slog I felt continually disappointed at how many hours I was putting int Why Has Opera Transfixed And Fascinated Audiences For Centuries Carolyn Abbate And Roger Parker Answer This Question In Their Effervescent, Witty Die Welt, Germany Retelling Of The History Of Opera, Examining Its Development, The Musical And Dramatic Means By Which It Communicates, And Its Role In Society Now With An Expanded Examination Of Opera As An Institution In The Twenty First Century, This Lucid And Sweeping Boston Globe Narrative Explores The Tensions That Have Sustained Opera Over Four Hundred Years Between Words And Music, Character And Singer, Inattention And Absorption Abbate And Parker Argue That, Though The Genre S Most Popular And Enduring Works Were Almost All Written In A Distant European Past, Opera Continues To Change The Viewer Physically, Emotionally, Intellectually With Its Enduring Power. A very engaging overview of opera for a novice opera lover like myself I came away with a better understanding of the few operas I have seen so far, and even better notes on many operas that this book introduced me to that are now on my must see list. It was really great Although I was a little let down by their diagnosis of the demise of new operas, maybe I wanted ainteresting answer than opera is expensive and the new ones aren t as popular They brought up some interesting issues e.g one composer mentioning that there s a 2 million dollar investment being placed on him but he s writing something he s never written before, and about how the tradition ended a hundred years ago so there s no guideline on how to write a modern oper It was really great Although I was a little let down by their diagnosis of the demise of new operas, maybe I wanted ainteresting answer than opera is expensive and the new ones aren t as popular They brought up some interesting issues e.g one composer mentioning that there s a 2 million dollar investment being placed on him but he s writing something he s How can people like opera when it s so artificial I mean, singing when in real life someone would be speaking Crazy Especially that ridiculous opera seria stuff Writers on opera tend to fall into two mutually hostile camps the mind people and the body people, the Kermans and the Koestenbaums Abbate and Parker are in possession of minds AND bodies, and alive to pleasures rational as well as sensual Their take on opera is generous singers and audiences and directors claim their attention and I thought this was a fun romp through the history of opera The authors write with a nice sense of humor, and do a nice job of emphasizing important themes, such as the difficulty of dealing with spoken word They also do a wonderful job of comparing and contrasting operatic trends with modern entertainment trends, and make an argument that similarities arethan coincidental I found it hard to go through the book without turning to my CD collection and a friend s collection to play and re I thought this was a fun romp through the history of opera The authors write with a nice sense of humor, and do a nice job of emphasizing important themes, such as the difficulty Early assessment These two people are not gifted writers They leave too much of the verbal underbrush that is common in academic writing weak sentences that purport to convey authority E.g The important thing to notice here is Their ideas are interesting it s too bad they don t have confidence in them Later assessment 05 16 13 I had to put this on hold because it is so freaking boring It s not a history so much as a series of marginally insightful essays about opera arranged in mo Early assessment These two people are not gifted writers They leave too much of the verbal underbrush that is common in academic writing weak sentences that purport to convey authority E.g The important thing to notice here is Their ideas are interesting it s too bad they don t have confidence in them Later assessment 05 16 13 I had to put this on hold because it is so freaking boring It s not a history so much a If you already know a lot about opera this is not the book for you, but if you are still in the learning process this book is good option It has some pretty boring section, that I wish I could just skip, especially on the operas of the twentieth century The wri

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